There is a strong sense of advancement with this model, not
just stylized futurism. Volkswagen went down that path with the Eighties B3 Passat:
no grille, badge flush within a painted snout denoting an obvious aero-advancement
that was bang on trend courtesy of the Ford Sierra. At the rear, horizontally
banded lamps made everything chic and wide, and to cap it off the name ‘Passat’
was stamped into the body, no additional badges here. That was a feature filled
past, when you could point at a detail and say ‘Ah. That represents such-and-such.’
You might struggle to find any one feature on the new Passat that stands out,
yet the overall impression is as strong at the B3 was.
Nowadays it all comes down to form and proportions, and here
the Passat is meticulous and striking respectively. Width and wheels maketh a
car’s desirability, and VW has taken a chest-pull and stretched it right across
the front end. I don’t like the latest theme of the lamps floating above the base
of the overall graphic, but there’s no doubting the impression of superb
ground-to-body relationship. Low roof-line and fast screen angle reinforces
that sense of confident advancement.
The bodyside should be the cars trump car, and it certainly
one VW is making good use of on the perfect (except for the headlamps) Golf SV.
I was quite curious at first to see VW do emotion. You don’t expect to see a
judge smile. Here they seem to have tentatively felt their way from a
conventional all-positive section, before taking a rake and hollowing the
shoulder. The result is fast and taut, and just enough to lighten the cars
sobriety in the company of increasingly gestural rivals without losing the
holier-than-thou perception of quality.
The Passat is an impressive design no doubt that will fend
off the Koreans and makes the Ford Mondeo seem tall and under-wheeled, but it misses the dynamism of BMW and the status of Mercedes. Perhaps rebranding
it as an Audi will help.
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